This manual, as well as the software described in it, is furnished under license and may be used or copied only in Download Live 10 manual (PDF). English. Reference Manual by Dennis DeSantis, Ian Gallagher, Kevin Haywood, Rose This manual, as well as the software described in it, is furnished under license. Ableton Live is a complicated piece of music software -- but with our beginner's tutorial, This guide is available to download as a free PDF.
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Ableton Live 9 is a digital audio workstation (DAW), or a computer software used in There are three different versions of Live: Intro, Standard, and Suite. Live 9 Lite Quick Start Guide. TASCAM 1. We do not support Ableton Live 9 Lite. For how to use, refer to the help menu of Live 9 Lite. Contents. Notations in this. Fresh, easy to understand step by step Ableton tips and Tutorials you will actually use! Written by real Ableton users.
Thankfully Ableton has a way of inserting or deleting time that just pushes or pulls your song apart without any issues whatsoever. Doing this will move all the music around it to compensate, either pulling sections together or pushing them apart. Download our free Ableton Starter Pack and get level up your production today!
One of my favorites of these is turning compressors into their own distortion units. By overworking compressors in terms of their time values and ratios they will actually start to distort.
To really over do it, pull back the attack and release as quick as possible, crank the threshold down, and max out your ratio. And voila! Now this may be over the top, but from here you can dial back the settings to get the desired tone. Tip 8: Pseudo Side-Chain At first glance Ableton is lacking a very common and important production tool, tremolo. There seems to be no obvious way to automate the volume of something, at least it may not seem that way.
Here you can harness the hidden powers of auto-pan. Auto-pan typically works by dipping the volume in one channel, while the other rises in volume. This back and forth volume switch gives the sensation of something panning around our head. When this tool becomes even more powerful however, is when you set the phase to 0. Now what will be happening is each ear will now be dipping in volume in sync.
This now gives us not only the ability to tremolo, but also the most powerful technique of all, pseudo-sidechain.
We can create a pumping effect without any sort of signal necessary. Tip 9: Copy Value To Siblings Probably the biggest thing I ever wasted time on in music as a new producer was trying to give every single instrument in a rack the same settings. Having to input the settings across dozens of instruments was just absurd. If only I had known about copying values to siblings.
One arp sequence can span many octaves and many bars. Scrolling left and right, then up and down takes time, while this techniques is WAY quicker. You are no longer locked to a solid to solid lines, you can scroll as desired, quick and easy Check out this Ableton tutorial that will show you a cool trick you can do to make your MIDI more interesting: Tip Deactivation This tip is absolutely VITAL for any producer, the ability to deactivate Sometimes in Ableton you need to test what an idea would sound like by removing clips or MIDI.
The big issue with this however, is what if you forget what note you removed? In Ableton you can actually deactivate musical ideas. Your clip or piece of MIDI will actually become transparent, stopping it from creating any sound, but leaving it as a placeholder.
Simply click something in Ableton and press 0 to deactivate it, then 0 again when you want to reactivate it. PRO TIP: When writing a new melody or chord progression in a song, copy and paste an old one and deactivate it so you can see the relationship between your old idea and your new one. This can actually be made ourselves with a lot more control and interesting distinction between the layers.
With your piece of audio selected, duplicate the track twice. Now with a desired warp mode, pitch the two separate layers different in just small cent values, detuning them in slightly different directions. Now the fun thing is, you can do this as many times as you want, each with different pitches and times.
Not only that however, but you can start to affect each layer separately. This case is not an exception, but with some inversions, to make it not boring. Very clean and clear for the voicings to shine. If you want to know more details about chords and chord progressions, you can check one of our previous articles talking all about them here.
Using a simple triad 3 notes chord in the future bass genre will just not cut it, you need to make more noticeable chords, and a good way to do it is by simply extending your chords.
For example, using the ones in our progression here, if you have an A minor notes: A C E , you can play a simple triad and extend it by adding more of the same 3 notes you have. Basically, what you do is to get a set of notes with which you can play moving, or duplicating octaves of those 3 notes, to add upper or lower tones.
Something like this: By applying this trick, you will get a much fuller and richer sound. This can be done with ANY chord to get a larger sounding result that will always stay in key. The top section of the browser contains a search feature, which allows you to search in the selected folder for a particular sound, instrument, or effect.
Hover over anything in Ableton, and this will tell you what it does. This is extremely helpful, and can be a lifesaver in helping you learn. The bottom pane is the Effect Controls section. Finally, the remaining panel on the right is the session or arrangement view.
This is where you will create and manipulate audio. MIDI devices and tracks are covered comprehensively later on, but for now, think of them as a way of generating a sound, like a keyboard or guitar.
Audio tracks are the opposite of MIDI tracks. These can play and record sounds from other devices such as a microphone or other device , but they cannot generate any sounds on their own. Finally, there are Return Tracks.
These provide a route for processing audio and returning it back. Each track has the same basic structure. The top of the track is known as the Track Title Bar. You can right-click here to change the name and color of the track. Underneath this are the Clip Slots. Underneath the clip slot is a mini control panel for each track.
Here you can enable or disable the track, adjust settings such as pan or gain, and route audio from or to nearly any other place. The default values are sufficient for now. Go ahead and delete the two MIDI tracks and one audio track so you are left with one track. Underneath Categories , select Samples. Use the right side of the browser to search for some sounds you like — Ableton comes with lots of samples, and each version Intro, Standard, and Suite comes with a different selection.
You can use the cursor or the arrow keys to select a sample, and doing so will play a preview of it.
Most of these will be short sounds of people or instruments. If you want something a bit more complex, select Clips from the Categories submenu.
To hear a preview, select Click to Preview from the bottom of the browser. This will now show up as a clip.
You can drag multiple clips onto empty clip slots, or drag them over existing clips to replace the old clips with the new ones. Once in the session view, clips have a random color assigned. You can change this by right-clicking and selecting a new color. Press the small triangle next to a clip to play it. Notice how the interface changes. The triangle turns green, and you get audio meters on this track and the master. Down in the mixer section, try playing around with the various controls.
The Track Activator will enable or disable the track. When disabled, no sound will come out of the track, but it will keep playing — think of this like a mute button. Use the Pan Knob to adjust the pan of the track, or adjust the volume using the Track Volume Slider to the right of the output levels.
Go ahead and drag some more clips onto the track. Once you have more than one clip, try playing another one — what do you notice? There are several things that happen once you trigger a new clip in the same track. The currently playing clip stops, and the new clip starts. Use one of these great sites to learn a little bit more about what makes music what it is.
Read More will be useful to you.
If you start a clip in the middle of a bar, Ableton will wait until the start of the bar before playing that clip. This makes music sound better and keeps it in time. You can change this from the Quantization menu on the top-left settings bar.
This menu also lets you change the time signature and tempo. You can create a new track by right clicking in some empty space, and selecting Insert Audio Track or Insert Midi Track.
Once you have more than one track, you can trigger all of the horizontal clips across multiple tracks using a Scene. A scene is a single row of clips whereas a track is a column. Scenes can be found on the right hand side under the Master track, and can be colored, renamed and adjusted just like clips.
Double clicking a clip will open it in the effects controls section at the bottom of the screen. Here you can manipulate the audio sample, as well as fine-tune the sound. You can adjust where the sample starts or stops, as well as the pitch, timing, volume, and much more.
Underneath the Sample Control, there is a Loop button, which is turned on by default. This means that once a clip is finished playing, it will start again.
Looping can be configured on a per-clip basis, so you can have some clips looping, and others only playing once. The Warp button adjusts the timing of a clip to match the current timing of your project.